TapSkip

Purchase TapSkip 2

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Windows Demo

TapSkip adds new rhythm to audio. It generates its own structured rhythm and imprints it onto the rhythm of the input audio. The result is bigger, denser, and more complex rhythms.

Taps and Skips

TapSkip is named after its two parameters: "Taps" and "Skips." A tap is an echo, and a skip is a silent echo (it's skipped). The taps and the skips are mixed together to produce a series of audible and silent beats. This is how it generates rhythm.

TapSkip uses blue squares along a strip to visualize the taps. The skips are depicted as white dots.

Rhythm Instead of Repetition

With traditional delay effects, the loudness of each echo decreases sequentially. TapSkip uses a similar scheme, but the order of the taps' levels is shuffled. This adds variation in addition to the generated timing pattern.

Customizable Taps

Create your own tap/skip pattern. Edit the levels of individual taps to get just the right sound.

Five Note Types

The predelay and delay each have five base note types: duplet, singlet, quintuplet, quadruplet, and triplet. With tempo-syncing being a core feature of TapSkip, using different note types can produce a lot of variation.

• Pattern generation
• Predelay
• Time-Pattern shuffling
• Tap-level shuffling
• Five note types: singlet, duplet, triplet, quadruplet, and quintuplet
• Synced and non-synced mode toggle
• Tempo-change awareness
• HD and 4K DPI user interface modes
• Undo/Redo
• A/B parameter toggle and copy

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Original audio:

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With TapSkip:

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Try the Demo Version For Free

The demo version can be installed using the program linked below. Demo plug-ins have unlimited use time, but there are two limitations:

• Parameters cannot be saved.
• A tone or chirp sound will periodically be added to the output.

Windows Demo

User Manual

PDF Manual

• Operating System: Windows 7 or greater.
• Host Program: VST3 compatible host program.

To use or purchase this software, you must agree to the terms of the license agreement. A copy of this agreement can be found here.

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